A double collection-containing Versed and Dark Matter-from one of the most brilliant poets of her generation. Winner of the Pulitzer Prize for PoetryWinner of the National Book Critics Circle AwardFinalist for the National Book Award for PoetryRae Armantrout has always organized her collections of poetry as though they were works in themselves. Versed brings two of these sequences together, offering readers an expanded view of the arc of her writing. The poems in the first section, Versed, play with vice and versa, the perversity of human consciousness. They flirt with error and delusion, skating on a thin ice that inevitably cracks: "e;Metaphor forms / a crust / beneath which / the crevasse of each experience."e; Dark Matter, the second section, alludes to more than the unseen substance thought to make up the majority of mass in the universe. The invisible and unknowable are confronted directly as Armantrout's experience with cancer marks these poems with a new austerity, shot through with her signature wit and stark unsentimental thinking. Together, the poems of Versed part us from our assumptions about reality, revealing the gaps and fissures in our emotional and linguistic constructs, showing us ourselves where we are most exposed. A reader's companion is available at versedreader.site.wesleyan.edu"e;Rae Armantrout is the most philosophical sort of poet, continually seeking in her collections to summon and surmise the contemporary character of subjective experience and, further, to test the limits of knowledge. Armantrout's writing in her latest volume, Versed, will thus be familiar to her longtime readers for its way of holding meaning (and identification) in uneasy suspension."e; Tom Griffin, Bookforum
Winner of the Pulitzer Prize for Poetry (2010)
Winner of the National Book Critics Circle Award (2009)
Rae Armantrout has always organized her collections of poetry as though they were works in themselves. Versed brings two of these sequences together, offering readers an expanded view of the arc of her writing. The poems in the first section, Versed, play with vice and versa, the perversity of human consciousness. They flirt with error and delusion, skating on a thin ice that inevitably cracks: "Metaphor forms / a crust / beneath which / the crevasse of each experience." Dark Matter, the second section, alludes to more than the unseen substance thought to make up the majority of mass in the universe. The invisible and unknowable are confronted directly as Armantrout's experience with cancer marks these poems with a new austerity, shot through with her signature wit and stark unsentimental thinking. Together, the poems of Versed part us from our assumptions about reality, revealing the gaps and fissures in our emotional and linguistic constructs, showing us ourselves where we are most exposed. A reader's companion is available at http://versedreader.site.wesleyan.edu/
