"e;Machiavellian"e;-used to describe the ruthless cunning of the power-obsessed and the pitiless-is never meant as a compliment. But the man whose name became shorthand for all that is ugly in politics was more engaging and nuanced than his reputation suggests. Christopher S. Celenza's Machiavelli: A Portrait removes the varnish of centuries to reveal not only the hardnosed political philosopher but the skilled diplomat, learned commentator on ancient history, comic playwright, tireless letter writer, and thwarted lover.Machiavelli's hometown was the epicenter of the Italian Renaissance in the fifteenth century, a place of unparalleled artistic and intellectual attainments. But Florence was also riven by extraordinary violence. War and public executions were commonplace-Machiavelli himself was imprisoned and brutally tortured at the behest of his own government. These experiences left a deep impression on this keen observer of power politics, whose two masterpieces-The Prince and The Discourses-draw everywhere on the hard-won wisdom gained from navigating a treacherous world. But like many of Machiavelli's fellow Florentines, he also immersed himself in the Latin language and wisdom of authors from the classical past. And for all of Machiavelli's indifference to religion, vestiges of Christianity remained in his thought, especially the hope for a redeemer-a prince who would provide the stability so rare in Machiavelli's worldly experience.
"Explores why . . . The Prince . . . continues to enthrall readers and . . . can help enrich the way we understand [the statesman]. . . . A compelling portrait" (Kirkus Reviews).
The man whose name is shorthand for all that is ugly in politics was more nuanced than his reputation suggests. Christopher Celenza's portrait of Machiavelli removes the varnish to reveal not just the hardnosed philosopher but the skilled diplomat, learned commentator on ancient history, comic playwright, tireless letter writer, and thwarted lover.
"Machiavellian. The very word calls up images of plots, daggers and devious minds. Christopher Celenza separates the man from the melodrama." -Sydney Morning Herald
"Both readable and trustworthy." -Steve Donoghue, Open Letters Monthly
"Demonstrates how Machiavelli's thoughts on conflict and leadership are relevant to today's political world." -Choice
"By setting the author of The Prince in his historical context, Christopher Celenza captures the brilliance, risk-taking, danger, and sheer exuberant delight of the Italian Renaissance . . . Celenza enables us to seize upon what continues to be relevant in [Machiavelli's] work to our own time and place." -Stephen Greenblatt, Pulitzer Prize-winning author of The Swerve: How the World Became Modern
"Celenza's Machiavelli is a man passionately engaged in history, a scholar of the past whose interests run from the remote annals of ancient Rome to the tormented chronicles of early modern Italy, and an unflaggingly committed participant in the events of his own time. The result is a singularly humane portrait of a wise man making his way through what was often a cruel, chaotic world." -Ingrid Rowland, University of Notre Dame
