"The most intellectually exhilarating work published in 2018 . . . A lasting treasure." —Michael Dirda, The Washington PostHugh Kenner (1923–2003) and Guy Davenport (1927–2005) first met in September 1953 when each gave a paper on Ezra Pound at Columbia University. They met again in the fall of 1957, and their correspondence begins with Kenner's letter of March 7, 1958. In the next forty–four years, they exchanged over one thousand letters. An extraordinary document of a literary friendship that lasted half a century, the letters represent one of the great and—with the dawn of the age of text and Twitter—one of the last major epistolary exchanges of its kind. Students and lovers of modernism will find, in the letters, matchless engagements with Eliot, Joyce, Beckett, Basil Bunting, Charles Tomlinson, R. Buckminster Fuller, Stan Brakhage, Jonathan Williams, and the American modernists William Carlos Williams, Marianne Moore, and Louis Zukofsky. The correspondence ends with Kenner's letter of August 9, 2002, lamenting how they had drifted apart.
The extensive notes and cross–referencing of archival sources in
Questioning Minds are a major contribution to the study of literary modernism. The letters contained within explore how new works were conceived and developed by both writers. They record faithfully, and with candor, the urgency that each brought to his intellectual and creative pursuits. Here is a singular opportunity to follow the development of their unique fictions and essays.
"Hugh Kenner (1923-2003) and Guy Davenport (1927-2005) first met in September 1953 when each gave a paper on Ezra Pound at Columbia University. They met again in the fall of 1957, and their correspondence begins with Kenner's letter of March 7, 1958. In the next forty-four years, they exchanged over one thousand letters. Their correspondence about shared enthusiasm is a quarry for those interested in unique perspectives on Pound, Eliot, Joyce, Beckett, Basil Bunting, Charles Tomlinson, R. Buckminster Fuller, Stan Brakhage, Jonathan Williams, and the American modernists, William Carlos Williams, Marianne Moore, and Louis Zukofsky. The correspondence ends with Kenner's letter of August 9, 2002 lamenting how they had drifted apart. With his mentor, Marshall McLuhan, Kenner visited Pound at St. Elizabeth's Hospital in Washington, in June 1948. Later he visited Pound in Venice and Rapallo. Davenport also was a visitor to St. Elizabeths, and, like Kenner, visited Pound in Italy. These letters record their fascination with Pound's intellectual journey and explore how he translated the "brutality of fact" into The Cantos. The extensive notes and cross-referencing of archival sources in Questioning Minds are a major contribution to the study of literary modernism. The letters contained within explore how new works were conceived and developed by both writers. They record faithfully, and with candor, the urgency that each brought to his intellectual and creative pursuits. Here is singular opportunity to follow the development of their unique fictions and essays"--Provided by publisher.
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