Technology revolutionized the ways that music was produced in the 20th century. It has also enabled the music of others to be sampled (or plundered), including that of unwitting musicians from non-western cultures. This book addresses some of the issues posed by the new technology. '...the essays are well written and teem with marvelous insights...well worth owning.' The Tentacle '... rich bibliographical references [...] follow each chapter.' International Review of the Aesthetics and Sociology of Music