Leigh Claire La Berge shows how socially engaged art responds to and critiques what she calls decommodified labor-the slow diminishment of wages alongside an increase of demands of work-as a way to work toward social justice and economic equality.
Leigh Claire La Berge is Assistant Professor of English at Borough of Manhattan Community College, City University of New York, author of Scandals and Abstraction: Financial Fiction of the Long 1980s, and coeditor of Reading Capitalist Realism.
