Iftikhar Dadi is the John H. Burris Professor of Cornell University's Department of History of Art. He has authored Lahore Cinema: Between Realism and Fable (2022), Modernism and the Art of Muslim South Asia (2010), and edited the Lahore Biennale 01 Reader (2022) and Anwar Jalal Shemza (2015). He has co-edited the Lahore Biennale 02 Reader (2024) and Art and Architecture of Migration and Discrimination: Turkey, Pakistan, and Their European Diasporas (2023).

Sarah Besky is Professor of the Anthropology of Work in the ILR School at Cornell University and the author of The Darjeeling Distinction: Labor and Justice on Fair-Trade Tea Plantations in India (2014), Tasting Qualities: The Past and Future of Tea (2020), and How Nature Works: Rethinking Labor on a Troubled Planet (2019, co-edited with Alex Blanchette). Articles have appeared in Cultural Anthropology, American Ethnologist, American Anthropologist, Comparative Studies in Society and History, Antipode, and Environmental Humanities.

Rupali Gupte is an architect, urbanist, and artist, and a founding member, Professor, and Director at the School of Environment and Architecture, Mumbai. Her interdisciplinary work engages South Asian architecture and urbanism, urban form, housing, repair, gender, and spatial practices through writing, drawing, installations, curation, and spatial interventions. Her recent publications focus on pedagogies of spatial justice, the theorization of small forces that shape cities, and the reconceptualization of housing as "inhabitation" in South Asia.

Sonal Khullar is the W. Norman Brown Associate Professor of South Asian Studies in the Department of History of Art at the University of Pennsylvania. She is the author of Worldly Affiliations: Artistic Practice, National Identity and Modernism in India, 1930-1990 (2015) and editor of Old Stacks, New Leaves: The Arts of the Book in South Asia (2023). Her monograph The Art of Dislocation: Conflict and Collaboration in Contemporary Art from South Asia will be published in 2027.